Archive for the ‘art holidays in Bulgaria’ Category

Introducing

Renowned Russian Artist

Ilya Ibryaev

It gives me great pleasure to announce that this fantastic Russian Artist

will be gracing us at the

with a Masterclass this Summer

I recently signed up for an online Masterclass with Ilya having been made aware of his fantastic watercolour paintings by a fellow artist. I was so impressed, that I contacted him personally to invite him to come to the White Boat Studio here in Sozopol and Ilya graciously accepted the opportunity.

On speaking to Ilya it turned out that he is good friends of other artists I admire. One of whom, a Bulgarian artist visits him in Moscow, though Ilya has never been to Bulgaria. But judging by the boat paintings below It’s hard to believe. But I can tell by his subject matter that he, and his students will enjoy everything Sozopol has to offer.

Ilya has planned three exciting days painting, which include light refreshments and full use of the studio. He will be sharing his unique techniques for capturing light mood and atmosphere in watercolours. Those like me that have tried will know that capturing those most endearing and fleeting moments of early morning mist, the way bright sunlight breaks through the cool of the tree canopy are the most difficult. The control of these wet in wet techniques are one of the things that causes the human spirit to soar. Capturing those moments, and still retaining the freshness of the medium, with the guidance of ‘Master of Light’ Ilya is the reason for this Masterclass.

ABOUT THE MASTERCLASS

DAY 1

Based in the studio where Ilya’s morning session will show him demonstrating, and following a break for lunch students will have the time to emulate one (or more) of his paintings.

DAYS 2 & 3

Plein air painting, at some stunning locations in the Town. These will be very personally and carefully selected by Ilya to provide artists with a challenging and interesting taste of the area. They may include the Fishing harbour, bustling with activity, the wooden houses and cobbled streets of the Old Town, or the rugged cliffs with houses precariously perched on top. There will be no shortage of stunning locations, that’s for sure.

The beautiful former Naval College opposite the studio, dominates Kirik Island, especially at sunset.

Evenings are your own to take in the atmosphere, to wander the Town, visit the many Art Galleries, or just enjoy the Sunset sipping local wine at the many Restaurants. So it won’t be all work and no play. The New Town area also offers all the trappings of a beach resort with sandy beaches, bars and clubs for those wanting to dance the night away.

Biserra the oldest and one of many Galleries in Sozopol

One thing visitors never fail to notice about Sozopol is that the price of everything is about half of the ‘more fashionable’ painting destinations. A typical meal with wine will be around 40 lev that’s about 20 pounds Sterling. The food here is International, and typically Mediterranean not surprisingly with Sozopol’s Greek roots and traditions. Don’t leave without trying Shopska salad and Rakia, and don’t forget to look the friendly locals in the eye when you bid them ‘Nazdrave’ !

Sozopol has always been a mecca for artists as is testified by the many art and music events, and Art Galleries in the Old Ancient sea port formally known as Apollonia. This culminates in the Annual Apollonia Festival in late Summer.

I’m sure Ilya and his students will enjoy painting the views that always drew me here, somewhere I have now made my home.  Sozopol, on the Black Sea (which is Blue in Summer by the way) has a charm of it’s own with it’s working fishing harbour, yacht marina’s and quirky cobbled streets and ancient wooden houses. It comes as no surprise that some of the best, and freshest fish restaurants are here. This includes Kirik the oldest and still the best, and happens to be right next door. For early risers you can even buy fish straight from the boat.

Our air conditioned studio and the balcony of Kirik Restaurant next door

During your stay the White Boat Studio, and it’s equipment are at your disposal.

Co- Owners of the White Boat Studio Sarah Astbury (Logistics, Yoga and Massage Therapies) and Martin Stephenson (Studio Manager Artist, Author and Teacher)

Yours hosts Martin and Sarah are experienced, helpful and friendly, and , are on hand during your painting holiday, to cater for your every need be it artistic or otherwise. Sarah is an Internationally renowned Yoga teacher and Massage Therapist and is available during your stay. We plan for your holiday to be informative, friendly and fun. An experience for your mind and your body, or you can just soak up the sun on the beach, the choice is yours.

We expect bookings to go fast for Ilya’s Masterclass, spaces are limited for each day to ensure that you receive the personal attention you deserve. So please book early to avoid missing out on this unique experience to learn with a real Modern Day Master of his craft.

PRICES

The price is 85 Euro per day, and you can book one day, two days or all three for 255 Euro

FLIGHTS AND ACCOMMODATION

If you need any assistance with flights or accommodation please let us know. Bourgas International Airport is just 40 minutes transfer time away. Sarah can help you with these arrangements at sarah.astbury@gmail.com

All tastes and budgets are catered for during your holiday, from family guest houses right up to 5 star hotels and everything in between.

TO BOOK

Sarah is in charge of bookings for Ilya’s Masterclass too.

ENQUIRIES

You can make any enquiries by filling in the form below or contact Martin or Sarah at whiteboatstudio@gmail.com

WE LOOK FORWARD TO SEEING YOU IN AUGUST

 

 

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Following our extensive refurbishment, I can now announce that our beautiful studio space is available for Artists and Students visiting the stunning Old Town Sozopol, on Bulgaria’s Black Sea Coast.

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Located right opposite the Naval College, and the Fishing Harbour, our air-conditioned and heated studio couldn’t be better located. It’s within a two minute walk of the cobbled streets of The Old Town.

The space is available either with or without Martin the studio manager, and our logistics assistant Sarah, who is also on hand offering Yoga and soothing Massages on site.

The studio, is light and spacious, with stunning views accross the busy harbour. It comes fully equipped with the following :-

  • Tables, chairs and easels enough for 12-20 students
  • Basic artist quality watercolour materials, including the full range of Tintoretto paints, in tubes and stock of Bockingford 300gsm Rough paper, all available to buy.
  • Projection equipment.
  • Demonstration equipment, including HD Video and Editing
  • Air conditioning and ample fans for the hot Summer Months. With heating for out of season breaks.
  • Outside space for painting or for lunches with tables, benches and shade.
  • Bathroom including shower, sink and toilet.
  • Fitted kitchenette with cooking facilities.
  • Fresh Coffee machine.
  • Water Chiller.
  • Wi-Fi
  • Large screen TV and DVD player
  • Hi-Fi Sound system
  • Car Park right opposite
  • Free nearby self catering studio apartment for the tutor.

It is surrounded with some of the best Restaurants in the area, where not surprisingly locally caught fish is high on the menu.

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For those that have not been to Sozopol before, for many years the Town was one of the best kept secrets, and was a haven for wealthy Russian and boasts a thriving Art scene culminating in the Apollonia Festival at the end of August/ beginning of September. This Art and Music festival is a fantastic time of year to visit.

The Town is also home to a plethora of Art and Craft Galleries, including the Municipal Art Gallery, and also the many Museums, boasting the rich history of this former Greek fishing port, formerly known as Apollonia.

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One of the best (and more surprising things) about Bulgaria is that it is incredibly cheap, from accommodation to food and drink, you’ll find the place offers excellent value for money, being half the price of more, let’s say ‘fashionable’ painting locations.

The area around Sozopol is part of the tree covered Strandja mountains, and is home to stunning scenery be it craggy coastline, forests, ancient standing stones and of course not forgetting the charm of the the cobbled streets and old wooden framed houses, Sozopol has everything an artist could hope for. It has always been a mecca for artists through the ages, not without good reason.

A Corner of Sozopol

Whilst Sozopol has it’s traditions and is still a working fishing port, The Town still boasts all the trappings of other holiday destinations including many stunning sandy beaches, 300 Sunny Days a year and food that tastes like it used to. If it’s partying you want they have that too with many bars, music venues and clubs mainly situated in the New Town area, a 10 minute walk away through the Old Town.

In short Sozopol is a fantastic holiday destination, whether you are on a painting holiday, or an artist wanting to take your students somewhere more unusual. The Town has it all and so does our studio, which is available to rent, at very reasonable rates, by the day or week, with or without staff, the choice is yours.

So when you have exhausted the more fashionable places, why not give Sozopol a try. As the BBC said recently ‘Bulgaria offers the best value holiday destination in Europe’.

For further information please message me or e-mail artstevo@gmail.com

You can also read about other artists experiences in Sozopol here What the customers say about my e-book and teaching methods

Hope to see you soon.

Sarah Astbury and Martin Stephenson

Sarah & Martin

Sarah ( Logistics, Yoga and Massages) and Martin (Artist, Teacher and Studio Manager)

‘Painting Waves in Watercolour’

My latest youtube tutorial showing how to paint a simple seascape in Watercolour.

The demo takes you through the painting ‘step by step’, so stand by the pause button if you plan to paint along with me.

Just click on the link below to go straight to the video.

https://youtu.be/qgM4ZsHhPsw

Happy Painting !

Correcting errors in Watercolour

One of the very many Myths surrounding watercolour painting is that ‘you can’t correct mistakes’…

At the off,  let me say that this is completely untrue. If you react quickly with a slightly moist brush, clean water and tissue you can, say lift off splashes in your perfect sky with this method.

WHAT IF SOMETHING MORE DRAMATIC IS NEEDED ?

Let’s take one of my recent disasters I painted recently (thankfully they are few and far between these days), but it happens to us all.

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This is the painting in question, over-worked, little tonal value, no light source, dodgy shadows etc. etc.

So I decided to remove the whole painting, what I call ‘The Sink Treatment’. If you are unhappy with a small section, that can be lifted of with a moist brush and tissue. You may only be unhappy with, say the sky, if this is the case you can simply remove that offending part using the same sink method.

Let me say at this point, that most pigments do stain, in varying degrees depending on the colour, so you will never get back to pure white paper. Also in my case I had painted the stone wall using permanent ink so that stayed put.

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STEP 1

Run the tap until it is luke warm, this helps loosen the pigment.

STEP 2

Use a hogs hair (oil) brush or a stiff bristled household paint brush,  gently go back and forth over the painting until the pigment starts to move. Tip your board at an angle so the paint falls into the sink. If you are too vigorous you can damage the surface of the paper.

STEP 3

Keep repeating until you are either happy with the results, or until the water runs clear.

STEP4

Clean around your board with tissue, and let it dry naturally. I would only recommend this on paper taped to a board, if not the paper may cockle badly as it dries. Mop the water from the tape, and the painting with kitchen roll.

Don’t forget to keep checking the tape to ensure it’s still sticking until it’s completely dry.

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Once you have done the ‘sink treatment’ you end up with a pale ghosty image, giving you an ideal ground to start again. I ended up with a misty image which gave me an idea for the subsequent painting.

The following day, I re-painted the painting, using White Gouache to create a misty atmospheric picture I was happy with.

This was the finished painting called ‘Misty morning in the Bluebell Woods’.

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Yesterday, I read with sadness that Ron Ranson had died, after a short illness aged 93.

The reason for this blog is to pay tribute to a man who almost single handedley influenced my understanding of watercolour painting, and ultimately (many years later) was also to influence my teaching methods.

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Until I read his book ‘The Ron Ranson Technique’ many years ago, I had read so much from other artists, that quite frankly it was enough to put me off painting for life. I am sure others can empathise when I used to stand in front of that relatively expensive piece of blank paper, anxious that every attempt should be worthy, and end up framed and on the wall.

My life long ambition to become an artist, only came to fruition after I moved to Bulgaria 7 years ago to semi-retire. Until then family, mortgages and the fast pace of life in the UK had prevented any sustained effort on my part.

All that was to change when I read Ron’s Book.

Until then ‘fiddling’ with the very smallest mapping pens seemed the way to go, but frankly it was soul-less, tedious and not enjoyable. I used to spend maybe 100 hours on one drawing over many days.

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Before his books, I used to stand in awe in the art shops, not knowing what to buy. Invariably I came away with nothing. Then I read the Chapter where he encouraged a student to use cheap lining paper, stand up to paint, use big brushes and a limited palette of colours. Suddenly it clicked and it was very liberating for this self confessed fiddler to be free. ranson5

He also quashed my misgivings about all the rules and dogma surrounding watercolour painting, such as ‘It’s the most difficult medium’, ‘You can’t correct errors’, and you must never use white paint or resort to tricks like scraping, salt and the like.

Don’t get me wrong, he was not my only influence in those early days, but he was, by far the most important. In truth, and I don’t think it would be disresepectful to admit that I didn’t really like his paintings, but have later found out that you don’t have to be a great artist to be a great teacher. All you have to do is to impart knowledge in a simple, fun, and friendly way, and having read some of his testimonials recently I figure that’s how the great man was.

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In addition to his practical advice on the techniques of watercolour painting, he also talked about his teaching in Paxos, Greece, and I used to think ‘how wonderful, what a life that must be’. Little did I know at the time that my own teaching would be my passport to travel anywhere in the World that I chose.

When I moved to Bulgaria, with my dwindling savings, I stumbled into teaching, after a lady in our village asked if I would teach her. Her husband, who had been in ear shot said ‘have you thought about doing this for a living’. I looked for an art club, without success, so decided to start my own, which I carried on for many years. That experience, enough to test the patience of job, was to stand me in good stead in the years that followed.

Fast forward a few years, and all that reading lead me to write my own e-book ‘Watercolours for Beginners’ an accumulation of all that art book reading from Ron, and the likes of Rowland Hilder, John Blockley and Ashley Jackson.

Copy of Final E-Book Cover Design

I you would like a free copy of my book, please contact me

As I find myself approaching old age I made the concious decision to provide my book free of charge, to try and share the joy and simplicty of my own approach to the subject. It also proves as a reminder to me as my memory fades.

Those dreams of teaching in Paxos sewn by Ron, eventually came to fruition, and to date I have taught hundreds, if not thousands of students in Bulgaria, Greece, Malaysia, Thailand, Vietnam and Bali.

My book is now downloaded every day, and my youtube tutorials have had almost 100,000 hits since I started them. My original paintings are also in private collections Worldwide.

With the advent of the internet, it’s never been easier or cheaper to learn, communicate and spread the word. Gone are the days when coming back with 8 (the maximum number) of art books from the Library was the norm.

When I show my ‘dog-eared’ The Ron Ranson Technique book to students, they invariably ask to borrow it, and I reluctantly but politely refuse. From time to time when I feel my painting are getting ‘tight’ I dig out the book and the hakes, stand up, put the music on loud and after a couple of loose’;wet in wets’ I am cured (until the next time) !

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RON RANSON

Ron died recently in the USA after a short illness

This is my tribute to a man I never met, but who changed my  (and I’m sure many others around the World) lives forever.

God bless and thank-you to you.

How to make your own Christmas Cards in Watercolour

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In my opinion, there’s nothing quite as personal as making your own original Christmas Cards,

and it’s something I have been doing for a few years now.

Because the colours on the cards are very similar, it’s very quick and easy to paint lot’s in one go.

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This is 1/4 sheet imperial Bockingford Rough paper split into 4 cards. I tape it down to give a nice edge to the card. When you take the tape off make sure you remove it slowly and carefully or it can tear your finished work.

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I then cut the cards, leaving a crisp border around each card. Then using an A4 sheet of coloured card I simply glue or tape the Christmas card to the backing card, having creased, and folded it in half. You can also insert a slip of A4 paper inside to write your personal seasonal message. An envelope and it’s ready to be posted to friends and family.

When Christmas is over the cards can be framed.

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Click on the Mistletoe card above to go to the Youtube tutorial.

 

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Click on the Christmas Candle card above to go to the Youtube tutorial

 

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A few more examples of this year’s cards. If you click on the Mistletoe or the Christmas Candle cards above, you can see my Youtube tutorials on exactly how I painted them.

If you click on the YouTube logo below, you can see all my videos on there.

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So this year why not try your own original Christmas Cards, have fun Happy Painting.

A very Happy Christmas and New Year to my friends from around the World

Thank-you for all the likes, thumbs up’s and comments !

Note If anyone would like to use these I am happy to oblige, if you would like me to e-mail you the drawings I can do that too. Just e-mail your request to me at artstevo@gmail.com or leave a comment.

How to paint skies in Watercolour

Morning Sail from Sozopol

As a beginner to watercolour painting, I remember the intimidating feeling, looking at that sheet of relatively expensive watercolour paper, taped and ready to go. You have drawn your landscape then notice that almost two thirds of it is the sky (gulp)…….

Here is how I approach painting skies. I’m not saying it is THE way it’s just my simple approach to it.

THINGS TO BEAR IN MIND

The principle of perspective still applies to skies. That is that clouds look smaller in the distance towards the horizon, and are bigger above your head.

The other consideration is that the colour is usually deeper above your head than on the horizon. Look at the sky where you are now and you’ll see what I mean, unless, like me you have a grey cloudless sky.

When you look at a sky, the colour is usually different if you pan the view side to side, painting skies with that in mind adds variety and interest.

I once read that you should ‘paint a sky a day’. You can do this, just a quick small study, say postcard size, try it for a few days, and you’ll soon be looking upwards and analysing it and trying to work out how you would paint it in watercolours. Ask yourself questions like ‘are there hard edges in the sky’ or ‘is it all soft edges’ it may (and usually is) a combination of the two.

HOW TO APPROACH IT IN YOUR PAINTINGS

When I consider a sky in a landscape, I usually decide how important it’s going to be in the finished painting, and how big or important the sky is. This also helps me to decide how low the horizon will be, in other words will the sky take up 1/3rd of the painting,  playing a supporting role in the painting. Or is it an important and dominant feature in the painting, and make up 2/3rd of the paper. Or will it even feature at all.

I usually make this decision based on the subject matter. It rarely works if the sky has lots happening in it, as it can detract from the main focus of the subject.

A Corner of Sozopol

In this painting the subject matter was all about the house so the sky was painted very flat and without any details at all. It also hardly features in the finished paintings overall composition.

So the first question even before you draw, or put colour to paper is to ask yourself is ‘how important and dominant is the sky in the painting’. That should hopefully help you to make those decisions. In the painting at the top of this blog ‘Calm morning for a sail’ my painting was all about the grandeur of the scene of Burgas Bay, so it takes up almost 2/3rds of the painting, though I painted it softly, without hard edges, so that the centre of interest, Sozopol Town, and the yacht in the foreground, were still dominant.

Excitement in the Village

In the painting above called ‘Excitement in the Village’ the painting was all about the sky, with it’s unusual viewpoint the sky fills the whole painting, as the villagers look skyward, to welcome the returning storks in Springtime.

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In my painting ‘The Windmill and The Islands’ you can see how the stormy sky behind the white sails and the lighthouse is an important part of the painting. The overall look of the painting, done as a commision based on old sepia postcards of the ancient town of Sozopol, and that decided the overall colour scheme of simply Sepia, Cobalt Blue and Indigo.

SO HOW DO YOU ACTUALLY PAINT IT ?

Having made all those decisions regarding composition this is how I actually tackle it. It’s all important to bear in mind ‘THE GOLDEN TIME’ that is the time it takes for the shine to go off the paper. A whole chapter is devoted to this subject in my free e-book ‘Watercolours for Beginners’. This is the link to my book READ OR DOWNLOAD IT NOW

This golden time, as I call it depends on a lot of factors like

  1. THE THICKNESS OF YOUR PAPER
  2. HOW HOT IT IS WHERE YOU ARE PAINTING
  3. HOW HUMID IT IS WHERE YOU PAINT

Because I am usually painting and teaching in warm climates, this can be as little as 4 or 5 minutes, this means that when you start you have as little as 4-5 minutes to paint the whole sky…… NO PRESSURE THEN tick tock !

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So before you start your painting, wet a small test strip of the paper you are going to paint on, with either paint or water. Don’t make it too wet just a film of fluid, now check your watch and keep and eye on the paper. When the shine goes off the paper, check your watch again, and this is YOUR golden time.

If you fiddle after the shine has gone you will just end up with a muddy mess. Also if you paint with too much water you will end up with unsightly back-runs (the dreaded cauliflowers).

Copy of Final E-Book Cover Design

LET’S START WITH AN EASY ONE – A CLOUDY SUMMER SKY

This is painted wet into wet, in other words wet paint on wet paper. The secret to painting skies is to make sure you have your paint ready mixed, and also that you have more than enough to paint the sky. This is the main reason I use tubes of paint, and mixing bowls.

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So assuming that your paint is mixed ready. Try say Cobalt Blue mixed with a little pink to warm it up.

I start by gently wetting the sky are all over with clean water. I usually use diagonal strokes of water at about 45 degrees. Try not to go over the same area more than twice, or it may lift the texture of the paper and give you black marks. I’m left handed so paint right to left, if you are right handed work left to right.

TIP If you work with the light in front of you, you can see where you have been.

Cover the whole sky area with the water, I usually use a big round or mop brush for skies. If you have mountains, cut around them carefully. If you lift your brush vertically you can be very accurate in these areas. Laying the brush flatter, and using the side of the brush means you can cover the area very quickly.

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Depending on how big your painting is, your golden time, and how fast you paint. Before you start to use your paint, check the damp paper especially where you started, if it has started to lose it’s shine already go back over the area again with water. Once you have a consistent film of water you are now ready to paint.

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Work quickly using the same diagonal brushstrokes, as you approach the horizon use less paint and it will go lighter towards the horizon. If you want some soft clouds just leave some areas without paint. Once the sky are is covered consider the shapes of the clouds. If you want to alter or extend them, now is the time to consider doing it, as long as there is still shine on  the paper.

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We will create the clouds with two ‘lifting off’ techniques, one with your brush another using tissue. Wash you brush out THOROUGHLY then squeeze it on a towel or kitchen paper, or squeeze the brush between your fingers removing most BUT NOT ALL of the moisture. I call this a ‘thirsty’ brush. Lift out the cloud shapes, then rinse and repeat until you are happy with the sky. If you want hard edged clouds try crumpled up kitchen paper. Keep changing the shape of the paper after each cloud to avoid a pattern, remembering that every cloud is usually a unique shape.

TIP A combination of hard and soft cloud shapes usually works best.Lifting off with a brush gives more subtle clouds, tissue less so.

If you want more movement in the sky tip your board, or paint at a slight angle. I usually paint on an angle of about 15-20 degrees on my home made board.

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If you do tip your painting, take care with the bead of paint that will collect, and be ready to mop it up with your thirsty brush, or the corner of kitchen towel.

NOW LEAVE IT ALONE

The shine will have gone by now (especially on those areas where your clouds are) any fiddling at this stage WILL ruin your freshly painted sky.

Carefully wipe around the taped edge to avoid paint bleeding into your painting as the  paper dries flat. Dry the sky with a hairdryer on slow speed checking the tape as it dries.

If you need to tidy up any edges, say around the mountains, wait for the painting to dry then get the shapes back with a moist flat brush.

I usually try to paint my skies like this in ‘one hit’, as I think it makes for a fresh and lively looking sky.

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Here is how the sky looked in my finished painting ‘Light and Shade in Meteora’

I hope you liked this blog on painting a Summer sky in Watercolours, next time Stormy Skies !

PLEASE FEEL FREE TO LIKE, COMMENT AND SUBSCRIBE TO MY BLOG.

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You can find lot’s more tutorials on my Youtube channel by clicking on this link below

My youtube channel

 

Why indeed ?

Here is a little idea for all budding artists out there.

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Here ‘s how your envelope may look, when you get it back

It’s an idea I got from fellow Malay artist Chang Fee Ming, check his work out.

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So the idea is that you paint on an envelope, mine as you can see was a printed envelope. You can either put yours or the recipient’s address on the front over the painted envelope, or as I did on the back of the envelope.

It was funny trying to explain to the Hotel receptionist in Malaysia, that I wanted my letter posted back to myself, back to the resort, she clearly thought I was an eccentric Englisman. But she duly obliged. Hey presto when it comes back to you, it’s franked with the date and location, and covered in lovely foreign stamps.

A lovely reminder of your trip, or a nice present for someone back home when you are on your travels.

As Chang pointed out though some do go missing in the post, or like mine the postal service didn’t arrived before we left the Country, and it had to be forwarded by the Resort.

Here are a few more examples, why not give it a try ?

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Well this is a subject very close to my heart, how to mix greens.

From birth we experience millions of different greens, so familiar are they to the human eye, that they say ‘never buy a green car’. Have a bump, get it re-sprayed and the human eye will always see the difference between the new colour and the old.

As an artist, especially a beginner it would be reasonable to think that with all that choice in your local art shop, there must be perfect greens straight from the tube.

It’s true that when I teach beginners I do use tube greens from the tube and mix them together. Now about my own paintings DEFINATELY NOT.

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‘Barns near Burnsall’ Private Collection in Australia

On one of the very few ocassions I attended an Art Club, in Horsforth  Leeds, the tutor’s favourite green mix was Ultramarine Blue mixed with Gamboge , which I used in one of my earliest paintings above.

At that time I was only painting English scenes, before moving to my new home in Bulgaria, where the tree colours were similar and the mix served me well.

Then things changed, I started to teach in other countries, Vietnam, Bali, Thailand and Malaysia. What served me well in the UK and Bulgaria were simply inadequate in these new exotic climates.

Bamboo, Palms, Banana the list of new greens was endless and new. Then later I taught in Greece and when I arrived, and started painting and teaching I realised that neither in the UK, Bulgaria or Asia had I ever painted a Cypress Tree (with it’s very bluey, dark green colour) or Olive Trees (a silvery muted green)… I had had enough what to do ?

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By nessesity (lack of supply by my local art shops in Bulgaria) I had bought the full range (48 colours) in bulk directly from the manufacturers (Tintoretto in Italy) to ensure I could paint without interruption.

This gave me the opportunity to experiment, which I took full advantage of. As you can see from my home made colour card above there are some 12/13 yellows and about 9/10 blues which I wanted to experiment with. This was in Greece and I was looking for the colours for Cypress and Olive Trees.

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So I decided to take 6 of my most likely Blues 19,21,22,24,25 and 26 and combine them with my most likely Yellows 3,9,10,35,36,38 and 44

I made 6 colour cards using these combinations and numbered them as above, so I could study the results. I also tried to show the tonal value of each colour going from light to dark on each colour chip.

For those of you who know the colour of Olive trees, that particular Silvery Green.

The Old Olive Grove

Or the dark bluey green of a Cypress tree, I am sure you can see a suitable Green on my colour cards. From a practical point of view it was simple. When out painting hold the colour card up and the choice of colour combinations is obvious.

So when I get asked ‘how to mix greens’ the advice is simple, take whatever blues and yellows and have fun finding out how many greens you can mix. Make you own colour cards, then  you always have them for reference, either in the studio or painting outside.

I hope this helps.

Happy Painting

Martin

Please feel free to comment, like or subscribe

YOUR WATERCOLOUR PAINTING HOLIDAY IN SOZOPOL, BULGARIA

With

Artist Martin Stephenson

Martin Stephenson

Telephone 00359-887-227-161

Thank-you for your enquiry, about a painting holiday with me in beautiful Sozopol, Bulgaria.

Please find below all the information for your holiday, if you require anything further please e-mail sarah.astbury@gmail.com or artstevo@gmail.com or telephone us on the number above.

  •  WHEN TO COME

My painting holidays run from mid June until mid October every year.

  • PRICES

795 Euros per person for 7 nights bed and breakfast in a double/twin room in a 3 star family run hotel overlooking the sea, including 6 painting workshops. Not including flights or transfers.

Discounts for non-painting partners and guests willing to share a room.

  • PAYMENTS AND DEPOSITS

Full Payment : via paypal 30 days prior to your holiday, or balance in cash on arrival.

Deposit : 150 euro secures your holiday.

  • TRAVEL ARRANGEMENTS

Flights to Bourgas Airport from most regional UK Airports. The flight time is about 3 hours 15 minutes.

www.wizzair.com

www.balkanholidays.co.uk

  • TRANSFERS

Transfer time from Bourgas to Sozopol is just  45 minutes, using our English speaking locally based taxi service.

Transfer Costs : 35 euro per taxi each way.

  • MONEY

Whilst Bulgaria is in Europe, like the UK it has yet to adopt the Euro, though Euro or Sterling can be changed at thel banks in the Town into the local currency, Bulgarian Lev. There are also many cash machines around the Town.

  • ACCOMMODATION

Your accommodation is normally in a family run 3 star hotel overlooking the sea and St.Ivan Island in Old Sozopol, which is just a few minutes walk from the our Studio.

To see your hotel please click on the link http://hoteldiamanti.com/en/

Alternative accommodation is also available, from self catering apartments, family run guest houses, right up to 5 star luxury hotels. If you would like a quote for other types of accommodation please let us know in advance of your booking.

  • INTRODUCTIONS

Sarah & Martin

On arrival at your hotel, you will be met personally by your tutor Martin and the holiday manager Sarah, for welcome drinks. Sarah will also be collecting you on the first morning to show you the way to the Studio. Just a five-minute walk through the cobbled streets, if you are staying at Hotel Diamanti.

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  • DEMONSTRATIONS

Your tutor Martin will demonstrate regularly during your holiday, and be on hand for critique as your course progresses.

  • PAINTING CLASSES

Your six painting classes will be 4 hours long and start every day at 10am until 2pm with a break for refreshments half way through. All professional quality materials are provided, but feel free to bring your favourite materials if you prefer. The beginners watercolour course is studio based, as the weather in Bulgaria is typically Mediterranean so can get hot in the middle of the day. For those that have painted watercolours before you will know how important it is to be able to control the drying time, and the studio is air-conditioned, so is  perfect for beginners.

The materials you will be provided with are

300gm English Bockingford Rough Paper

BBOCKINGFORD

Tintoretto Artist Quality tubes of watercolour paint. These will be for sale if you want to buy them during your holiday.

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Artists quality brushes

The studio is well equipped, and stocked with alternative materials like , pastels, charcoal, goache, gesso etc etc. But if you want to request any other materials to work with please let me know beforehand. You will also have lightweight easels to use. In addition for those that want to paint plein air or back at the hotel, a kit can be provided for a small refundable deposit.

At the studio you will be provided with chairs, tables and easels for those that like to stand to paint.

  • WHAT SUBJECTS WILL I BE PAINTING DURING MY HOLIDAY

A splash of Colour in Sozopol

The subject matter we will be painting will include Land and Seascapes, Still Life, Florals and of course the Old Wooden Houses in Sozopol. You will be experimenting with more advanced techniques as your holiday progresses.

  • EATING OUT

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Sozopol is an established holiday resort, and as such all tastes and budgets are catered for. Your Holiday Manager Sarah or I can point you in the right direction when you eat out. With it’s Greek roots, Sozopol has many fine Greek Restaurants, specialising in freshly caught fish from right opposite the Studio. Whatever your budget, value for money is always the case. And don’t forget those tomatoes in the local ‘Shopska’ salad. No doubt there will be one word of Bulgarian you will learn during your holiday and that will be when accompanying the local Rakia and that will be ‘Nazdrave’ which means cheers. Remember to look the person in the eye though when you do it, a local custom.

  • THINGS TO SEE AND DO IN SOZOPOL

Kalithea Panorama

Sozopol is a former Greek Fishing port called Apollonia, and has a rich and ancient History, recorded in the many Museums and archeological sites. It also boasts a tradition for the Arts. Visitors coming at the end of August/Beginning of September will be thrilled by the Annual Apollonia Arts Festival, with concerts and Art Exhibitions. Sozopol has been a mecca for artists for many years, something reflected in it’s many art galleries.

Bisserra

Your afternoons and evenings are free and you will find plenty to do without even leaving the Old Town. Evenings are usually spent wandering the cobbled streets, among the Restaurants, Bars and Gift Shops. Maybe a late night movie at the open air cinema or an ice cream.

During the season you can also take the hydrofoil to ancient Nessebar another ancient port Town across Burgas Bay.

There are even natural healing mud baths over in Burgas, and they are completely free of charge. Float in the salt water, cover yourself in mud, roll in the sand, bake until cooked then plunge into the turquoise sea to wash it off. You will feel invigorated afterwards. If guests want to do this excursion Sarah and I will take you for a nominal extra fee. Whilst in Burgas you can even visit an art shop to stock up on those essential items.

The Natural Mud Baths in Burgas

So as you can see for painters and none painters alike Sozopol will be a feast for all your senses.

But it’s not all ‘Ye Olde Worlde’ here with many chic music bars, jazz clubs and two very modern yacht marinas, both with great night life, for those wanting to dance the night away.

  • MASSAGES AND YOGA WITH SARAH

The Boat Sozopol

During your holiday you can also indulge in yoga classes or massage therapies with Sarah, who has practiced her therapies for more for than 20 years around the World. Therapies available include Thai, Sports/Deep Tissue, Swedish, Indian Head Massage and Reflexology. Sarah’s Yoga and massages work around the painting classes, so it’s possible to do them too. Both Yoga and Massages are subject to extra charges. Check out Sarah’s stuff here.

www.yogainbulgaria.wordpress.com

 

  • EXHIBITION SUNSET CRUISE AND FAREWELL

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On the final afternoon we will have a mini exhibition and critique at the Art Studio followed by an hours sunset cruise around the bay of Sozopol.

  • AFTER YOU LEAVE

During your holiday you will have been given a link to download my e-book ‘Watercolours for Beginners’ to serve as a reminder of all you have learned. But it doesn’t end there I am always available even on skype if you get stuck or need some help and advice.

Copy of Final E-Book Cover Design

My teaching style is simple, informative and fun. My step by step techniques are geared to you learning in a progressive manner at a speed to suit you. My clients from all over the World come back time and time again for help with their watercolour journey.

They started with one simple step, their first lesson with me. I hope your own ‘journey’ will start in Sozopol with me in the near future. Even experienced painters have said ‘no one ever told me that’……

If you want to read about their experiences with me please read my blog by clicking on this link https://artstevo.wordpress.com/2015/04/06/what-the-customers-say-about-my-e-book-and-teaching-methods/

The rooms  with sea views at Diamanti Hotel book up fast so it’s first come, first served. As Mr. Pontin used to say for his holidays ‘Book Early’..

Copy of Sarah

Sarah is the person in charge of bookings and logistics and you can book with her directly, or if you have any questions you can email her at sarah.astbury@gmail.com or telephone her on the number at the top.

For general enquiries, if you would prefer, please use the contact form below.

We look forward to meeting you in Sozopol.

Martin and Sarah