LIVE STREAMING LESSONS STARTING SOON
Be part of the ‘Sloping off early on Friday’ Club every Friday at 3pm GMT with me Martin Stephenson

Once the busy Summer Season of teaching finishes in October, I will be streaming live on Youtube every Friday at 3pm GMT, so make a note in your diary, and if you get chance to leave work early, please join in the frivolity.

These live streams will include about 60-90 minutes tutorial on the most popular Watercolour Techniques and Tips filmed at the White Boat Studio in Sozopol, Bulgaria. Unscripted and un-rehearsed you will be able to watch me painting live ‘warts and all’ and ask questions during the live transmission using the chat feature.

Prior to my lessons starting you can even ask me to paint your favourite subject. The only thing I won’t be painting is portraits. To request a particular subject just either fill in the contact form at the bottom or send me an e-mail to artstevo@gmail.com or whiteboatstudio@gmail.com

If you have seen my other YouTube tutorials, you will know that my way of teaching is simple, straightforward and fun. If you are a complete beginner to watercolour painting, or are a more experienced painter, then this is the place for you.

I don’t subscribe to all the silly rules usually connected with this wonderful medium. Instead you will be encouraged to spread your own artistic wings, and develop your own painting journey. For sure there are some basic things you need to master, and these will come only with practise, but my own attitude that ‘anyone can paint’ is reflected in my students rapid progress and understanding.

If you need a list of supplies so you can paint along just let me know, and I’ll email you a PDF.

My own experience teaching over many years, during my various Art Clubs, Art Holidays and Workshops is testament to this attitude of keeping things simple, and my many students endorsements on my other blog on here should give you the encouragement to subscribe and get involved.

During my past live demonstrations things don’t always go to plan, but my lack of fear of failure should ensure that these live feeds will be unpredictable but also great fun.

They will be based on my successful e-book ‘Watercolours for Beginners’ which is free to anyone that requests it.    The complete book (20 lessons and 157 pages) features full colour graphics, and is jam packed with everything you need to know on the subject. For skim readers it even has those ‘lighbulb’ moments that shouldn’t be overlooked.

You can download my book, prior to my live lessons by filling in the contact form below. Or read about it on another blog here Just like my book, if you expect to find instruction on Colour Theory, Perspective or all the other boring stuff then this definitely will NOT be the place for you.

As my live streams develop, you will be able to receive updates and sketches in advance, post your own paintings and get critique and feedback from me.

During the last few months, I have been testing new equipment and software to ensure that the experience will be of the highest quality. This includes studio quality sound and HD Cameras. The lessons will be filmed live at the studio in Sozopol or in my studio at home in rural Bulgaria where the occasional sound of livestock, or storks chattering should be the only distractions.

Some of my new ‘Toys’ !

 

In the coming weeks I will do the odd test using all my social media platforms, so you may see me pop up somewhere.  You can me in all the usual places on the interweb, so just search for Martin Stephenson, Stevo or Artstevo.

 

If you would prefer private tuition using skype, just let me know my skye name is Martin Stephenson54

If you add me to your skype we can chat about what you have in mind, and I can give you the prices.

Maybe you will attend one of my popular Year Round Workshops and Painting Holidays here in beautiful Sozopol, Bulgaria. Or maybe we will meet in Greece or in Asia. If you subscribe to my blog you will be able to keep up with all the News and my whereabouts. We at the White Boat Studio also invite Guest Artists and their students, so if you belong to an art club or society, or are a teacher, please contact me using the form at the bottom.

My live streams will start with Watercolour Painting, but I am also a Mixed Media Artist (funds allowing, the subject of my next book), so who knows how it will develop Acrylics, Pen and Ink, Pastels, Decoupage perhaps. As my own journey continues hopefully so will yours. Another feature of these live demonstrations is that they are automatically saved to my YouTube channel, so even if the time zone isn’t convenient for you, you can still watch the recordings at a time to suit you. Whilst initially aimed at the UK GMT time zone (we are 2 hours ahead here in Eastern Europe) I am open to suggestions of timings to suit my audience, so get in touch with your suggestions.

One thing is for sure it will be a great journey together. Through my painting, and my teaching I have met many wonderful people from around the World, both face to face and virtually, and I am confident that my live lessons will be very popular.

So click on the YouTube link below

and subscribe today to join my new Worldwide Painting Community

I look forward to meeting you soon

Martin Stephenson

And finally even though
all my live streams
and my e-book will
ALWAYS BE FREE

There are costs involved, so apart from buying my paintings, which I ship Worldwide,  if anyone would like to either donate money (however small) or become a Patron you can do so in the following ways:-

To make a one off payment you can do this securely to my paypal account artstevo@gmail.com by clicking on the paypal link above.

Alternatively you can become a regular supporter using

 

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Introducing

Renowned Russian Artist

Ilya Ibryaev

It gives me great pleasure to announce that this fantastic Russian Artist

will be gracing us at the

with a Masterclass this Summer

I recently signed up for an online Masterclass with Ilya having been made aware of his fantastic watercolour paintings by a fellow artist. I was so impressed, that I contacted him personally to invite him to come to the White Boat Studio here in Sozopol and Ilya graciously accepted the opportunity.

On speaking to Ilya it turned out that he is good friends of other artists I admire. One of whom, a Bulgarian artist visits him in Moscow, though Ilya has never been to Bulgaria. But judging by the boat paintings below It’s hard to believe. But I can tell by his subject matter that he, and his students will enjoy everything Sozopol has to offer.

Ilya has planned three exciting days painting, which include light refreshments and full use of the studio. He will be sharing his unique techniques for capturing light mood and atmosphere in watercolours. Those like me that have tried will know that capturing those most endearing and fleeting moments of early morning mist, the way bright sunlight breaks through the cool of the tree canopy are the most difficult. The control of these wet in wet techniques are one of the things that causes the human spirit to soar. Capturing those moments, and still retaining the freshness of the medium, with the guidance of ‘Master of Light’ Ilya is the reason for this Masterclass.

ABOUT THE MASTERCLASS

DAY 1

Based in the studio where Ilya’s morning session will show him demonstrating, and following a break for lunch students will have the time to emulate one (or more) of his paintings.

DAYS 2 & 3

Plein air painting, at some stunning locations in the Town. These will be very personally and carefully selected by Ilya to provide artists with a challenging and interesting taste of the area. They may include the Fishing harbour, bustling with activity, the wooden houses and cobbled streets of the Old Town, or the rugged cliffs with houses precariously perched on top. There will be no shortage of stunning locations, that’s for sure.

The beautiful former Naval College opposite the studio, dominates Kirik Island, especially at sunset.

Evenings are your own to take in the atmosphere, to wander the Town, visit the many Art Galleries, or just enjoy the Sunset sipping local wine at the many Restaurants. So it won’t be all work and no play. The New Town area also offers all the trappings of a beach resort with sandy beaches, bars and clubs for those wanting to dance the night away.

Biserra the oldest and one of many Galleries in Sozopol

One thing visitors never fail to notice about Sozopol is that the price of everything is about half of the ‘more fashionable’ painting destinations. A typical meal with wine will be around 40 lev that’s about 20 pounds Sterling. The food here is International, and typically Mediterranean not surprisingly with Sozopol’s Greek roots and traditions. Don’t leave without trying Shopska salad and Rakia, and don’t forget to look the friendly locals in the eye when you bid them ‘Nazdrave’ !

Sozopol has always been a mecca for artists as is testified by the many art and music events, and Art Galleries in the Old Ancient sea port formally known as Apollonia. This culminates in the Annual Apollonia Festival in late Summer.

I’m sure Ilya and his students will enjoy painting the views that always drew me here, somewhere I have now made my home.  Sozopol, on the Black Sea (which is Blue in Summer by the way) has a charm of it’s own with it’s working fishing harbour, yacht marina’s and quirky cobbled streets and ancient wooden houses. It comes as no surprise that some of the best, and freshest fish restaurants are here. This includes Kirik the oldest and still the best, and happens to be right next door. For early risers you can even buy fish straight from the boat.

Our air conditioned studio and the balcony of Kirik Restaurant next door

During your stay the White Boat Studio, and it’s equipment are at your disposal.

Co- Owners of the White Boat Studio Sarah Astbury (Logistics, Yoga and Massage Therapies) and Martin Stephenson (Studio Manager Artist, Author and Teacher)

Yours hosts Martin and Sarah are experienced, helpful and friendly, and , are on hand during your painting holiday, to cater for your every need be it artistic or otherwise. Sarah is an Internationally renowned Yoga teacher and Massage Therapist and is available during your stay. We plan for your holiday to be informative, friendly and fun. An experience for your mind and your body, or you can just soak up the sun on the beach, the choice is yours.

We expect bookings to go fast for Ilya’s Masterclass, spaces are limited for each day to ensure that you receive the personal attention you deserve. So please book early to avoid missing out on this unique experience to learn with a real Modern Day Master of his craft.

PRICES

The price is 85 Euro per day, and you can book one day, two days or all three for 255 Euro

FLIGHTS AND ACCOMMODATION

If you need any assistance with flights or accommodation please let us know. Bourgas International Airport is just 40 minutes transfer time away. Sarah can help you with these arrangements at sarah.astbury@gmail.com

All tastes and budgets are catered for during your holiday, from family guest houses right up to 5 star hotels and everything in between.

TO BOOK

Sarah is in charge of bookings for Ilya’s Masterclass too.

ENQUIRIES

You can make any enquiries by filling in the form below or contact Martin or Sarah at whiteboatstudio@gmail.com

WE LOOK FORWARD TO SEEING YOU IN AUGUST

 

 

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Following our extensive refurbishment, I can now announce that our beautiful studio space is available for Artists and Students visiting the stunning Old Town Sozopol, on Bulgaria’s Black Sea Coast.

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Located right opposite the Naval College, and the Fishing Harbour, our air-conditioned and heated studio couldn’t be better located. It’s within a two minute walk of the cobbled streets of The Old Town.

The space is available either with or without Martin the studio manager, and our logistics assistant Sarah, who is also on hand offering Yoga and soothing Massages on site.

The studio, is light and spacious, with stunning views accross the busy harbour. It comes fully equipped with the following :-

  • Tables, chairs and easels enough for 12-20 students
  • Basic artist quality watercolour materials, including the full range of Tintoretto paints, in tubes and stock of Bockingford 300gsm Rough paper, all available to buy.
  • Projection equipment.
  • Demonstration equipment, including HD Video and Editing
  • Air conditioning and ample fans for the hot Summer Months. With heating for out of season breaks.
  • Outside space for painting or for lunches with tables, benches and shade.
  • Bathroom including shower, sink and toilet.
  • Fitted kitchenette with cooking facilities.
  • Fresh Coffee machine.
  • Water Chiller.
  • Wi-Fi
  • Large screen TV and DVD player
  • Hi-Fi Sound system
  • Car Park right opposite
  • Free nearby self catering studio apartment for the tutor.

It is surrounded with some of the best Restaurants in the area, where not surprisingly locally caught fish is high on the menu.

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For those that have not been to Sozopol before, for many years the Town was one of the best kept secrets, and was a haven for wealthy Russian and boasts a thriving Art scene culminating in the Apollonia Festival at the end of August/ beginning of September. This Art and Music festival is a fantastic time of year to visit.

The Town is also home to a plethora of Art and Craft Galleries, including the Municipal Art Gallery, and also the many Museums, boasting the rich history of this former Greek fishing port, formerly known as Apollonia.

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One of the best (and more surprising things) about Bulgaria is that it is incredibly cheap, from accommodation to food and drink, you’ll find the place offers excellent value for money, being half the price of more, let’s say ‘fashionable’ painting locations.

The area around Sozopol is part of the tree covered Strandja mountains, and is home to stunning scenery be it craggy coastline, forests, ancient standing stones and of course not forgetting the charm of the the cobbled streets and old wooden framed houses, Sozopol has everything an artist could hope for. It has always been a mecca for artists through the ages, not without good reason.

A Corner of Sozopol

Whilst Sozopol has it’s traditions and is still a working fishing port, The Town still boasts all the trappings of other holiday destinations including many stunning sandy beaches, 300 Sunny Days a year and food that tastes like it used to. If it’s partying you want they have that too with many bars, music venues and clubs mainly situated in the New Town area, a 10 minute walk away through the Old Town.

In short Sozopol is a fantastic holiday destination, whether you are on a painting holiday, or an artist wanting to take your students somewhere more unusual. The Town has it all and so does our studio, which is available to rent, at very reasonable rates, by the day or week, with or without staff, the choice is yours.

So when you have exhausted the more fashionable places, why not give Sozopol a try. As the BBC said recently ‘Bulgaria offers the best value holiday destination in Europe’.

For further information please message me or e-mail artstevo@gmail.com

You can also read about other artists experiences in Sozopol here What the customers say about my e-book and teaching methods

Hope to see you soon.

Sarah Astbury and Martin Stephenson

Sarah & Martin

Sarah ( Logistics, Yoga and Massages) and Martin (Artist, Teacher and Studio Manager)

‘Painting Waves in Watercolour’

My latest youtube tutorial showing how to paint a simple seascape in Watercolour.

The demo takes you through the painting ‘step by step’, so stand by the pause button if you plan to paint along with me.

Just click on the link below to go straight to the video.

https://youtu.be/qgM4ZsHhPsw

Happy Painting !

Correcting errors in Watercolour

One of the very many Myths surrounding watercolour painting is that ‘you can’t correct mistakes’…

At the off,  let me say that this is completely untrue. If you react quickly with a slightly moist brush, clean water and tissue you can, say lift off splashes in your perfect sky with this method.

WHAT IF SOMETHING MORE DRAMATIC IS NEEDED ?

Let’s take one of my recent disasters I painted recently (thankfully they are few and far between these days), but it happens to us all.

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This is the painting in question, over-worked, little tonal value, no light source, dodgy shadows etc. etc.

So I decided to remove the whole painting, what I call ‘The Sink Treatment’. If you are unhappy with a small section, that can be lifted of with a moist brush and tissue. You may only be unhappy with, say the sky, if this is the case you can simply remove that offending part using the same sink method.

Let me say at this point, that most pigments do stain, in varying degrees depending on the colour, so you will never get back to pure white paper. Also in my case I had painted the stone wall using permanent ink so that stayed put.

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STEP 1

Run the tap until it is luke warm, this helps loosen the pigment.

STEP 2

Use a hogs hair (oil) brush or a stiff bristled household paint brush,  gently go back and forth over the painting until the pigment starts to move. Tip your board at an angle so the paint falls into the sink. If you are too vigorous you can damage the surface of the paper.

STEP 3

Keep repeating until you are either happy with the results, or until the water runs clear.

STEP4

Clean around your board with tissue, and let it dry naturally. I would only recommend this on paper taped to a board, if not the paper may cockle badly as it dries. Mop the water from the tape, and the painting with kitchen roll.

Don’t forget to keep checking the tape to ensure it’s still sticking until it’s completely dry.

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Once you have done the ‘sink treatment’ you end up with a pale ghosty image, giving you an ideal ground to start again. I ended up with a misty image which gave me an idea for the subsequent painting.

The following day, I re-painted the painting, using White Gouache to create a misty atmospheric picture I was happy with.

This was the finished painting called ‘Misty morning in the Bluebell Woods’.

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Yesterday, I read with sadness that Ron Ranson had died, after a short illness aged 93.

The reason for this blog is to pay tribute to a man who almost single handedley influenced my understanding of watercolour painting, and ultimately (many years later) was also to influence my teaching methods.

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Until I read his book ‘The Ron Ranson Technique’ many years ago, I had read so much from other artists, that quite frankly it was enough to put me off painting for life. I am sure others can empathise when I used to stand in front of that relatively expensive piece of blank paper, anxious that every attempt should be worthy, and end up framed and on the wall.

My life long ambition to become an artist, only came to fruition after I moved to Bulgaria 7 years ago to semi-retire. Until then family, mortgages and the fast pace of life in the UK had prevented any sustained effort on my part.

All that was to change when I read Ron’s Book.

Until then ‘fiddling’ with the very smallest mapping pens seemed the way to go, but frankly it was soul-less, tedious and not enjoyable. I used to spend maybe 100 hours on one drawing over many days.

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Before his books, I used to stand in awe in the art shops, not knowing what to buy. Invariably I came away with nothing. Then I read the Chapter where he encouraged a student to use cheap lining paper, stand up to paint, use big brushes and a limited palette of colours. Suddenly it clicked and it was very liberating for this self confessed fiddler to be free. ranson5

He also quashed my misgivings about all the rules and dogma surrounding watercolour painting, such as ‘It’s the most difficult medium’, ‘You can’t correct errors’, and you must never use white paint or resort to tricks like scraping, salt and the like.

Don’t get me wrong, he was not my only influence in those early days, but he was, by far the most important. In truth, and I don’t think it would be disresepectful to admit that I didn’t really like his paintings, but have later found out that you don’t have to be a great artist to be a great teacher. All you have to do is to impart knowledge in a simple, fun, and friendly way, and having read some of his testimonials recently I figure that’s how the great man was.

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In addition to his practical advice on the techniques of watercolour painting, he also talked about his teaching in Paxos, Greece, and I used to think ‘how wonderful, what a life that must be’. Little did I know at the time that my own teaching would be my passport to travel anywhere in the World that I chose.

When I moved to Bulgaria, with my dwindling savings, I stumbled into teaching, after a lady in our village asked if I would teach her. Her husband, who had been in ear shot said ‘have you thought about doing this for a living’. I looked for an art club, without success, so decided to start my own, which I carried on for many years. That experience, enough to test the patience of job, was to stand me in good stead in the years that followed.

Fast forward a few years, and all that reading lead me to write my own e-book ‘Watercolours for Beginners’ an accumulation of all that art book reading from Ron, and the likes of Rowland Hilder, John Blockley and Ashley Jackson.

Copy of Final E-Book Cover Design

I you would like a free copy of my book, please contact me

As I find myself approaching old age I made the concious decision to provide my book free of charge, to try and share the joy and simplicty of my own approach to the subject. It also proves as a reminder to me as my memory fades.

Those dreams of teaching in Paxos sewn by Ron, eventually came to fruition, and to date I have taught hundreds, if not thousands of students in Bulgaria, Greece, Malaysia, Thailand, Vietnam and Bali.

My book is now downloaded every day, and my youtube tutorials have had almost 100,000 hits since I started them. My original paintings are also in private collections Worldwide.

With the advent of the internet, it’s never been easier or cheaper to learn, communicate and spread the word. Gone are the days when coming back with 8 (the maximum number) of art books from the Library was the norm.

When I show my ‘dog-eared’ The Ron Ranson Technique book to students, they invariably ask to borrow it, and I reluctantly but politely refuse. From time to time when I feel my painting are getting ‘tight’ I dig out the book and the hakes, stand up, put the music on loud and after a couple of loose’;wet in wets’ I am cured (until the next time) !

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RON RANSON

Ron died recently in the USA after a short illness

This is my tribute to a man I never met, but who changed my  (and I’m sure many others around the World) lives forever.

God bless and thank-you to you.

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‘Confusion’

Over the Holidays, I have been drawn to abstract painting so have been doing lots of research about the techniques, tools and materials people use.

Unlike the ‘pure’ rules and dogma surrounding traditional watercolour painting, it seems that with Mixed Media painting has no such rules, and anything seems to go. So you can stick stuff on and use all manner of household stuff and cheap tools from DIY stores to get the effect you like, it’s all very liberating !

‘BACK FROM THE EDGE’ for instance was painted using Coffee Granules then spraying with water. The coffee gives an interesting texture to the painting and dries to a lovely glossy shine !

I LIKE THAT A LOT !

So these are my first couple of attempts at all things big bright and bold !

I plan on developing this blog as this journey unfolds, so keep checking back, these are small canvas’s using the materials (Gouache) that are at hand.

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‘Back from the Edge’

abstract-3I realise that it is quite a departure from my usual style, but would love some feedback and opinions. It sure was great fun to do. I figure that if I don’t like the results, I can simply paint over it again, and it will just add another interesting layer to the canvas.

‘CONFUSION’ was created by building layers of texture, using drywall (scrim tape) then overpainting with gesso, then letting everything dry overnight, before attacking it with my brightest paints and a pallete knife.

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Here were my canvas’s prepared and ready for colour

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Now I can’t wait to paint them bigger !

How to make your own Christmas Cards in Watercolour

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In my opinion, there’s nothing quite as personal as making your own original Christmas Cards,

and it’s something I have been doing for a few years now.

Because the colours on the cards are very similar, it’s very quick and easy to paint lot’s in one go.

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This is 1/4 sheet imperial Bockingford Rough paper split into 4 cards. I tape it down to give a nice edge to the card. When you take the tape off make sure you remove it slowly and carefully or it can tear your finished work.

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I then cut the cards, leaving a crisp border around each card. Then using an A4 sheet of coloured card I simply glue or tape the Christmas card to the backing card, having creased, and folded it in half. You can also insert a slip of A4 paper inside to write your personal seasonal message. An envelope and it’s ready to be posted to friends and family.

When Christmas is over the cards can be framed.

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Click on the Mistletoe card above to go to the Youtube tutorial.

 

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Click on the Christmas Candle card above to go to the Youtube tutorial

 

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A few more examples of this year’s cards. If you click on the Mistletoe or the Christmas Candle cards above, you can see my Youtube tutorials on exactly how I painted them.

If you click on the YouTube logo below, you can see all my videos on there.

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So this year why not try your own original Christmas Cards, have fun Happy Painting.

A very Happy Christmas and New Year to my friends from around the World

Thank-you for all the likes, thumbs up’s and comments !

Note If anyone would like to use these I am happy to oblige, if you would like me to e-mail you the drawings I can do that too. Just e-mail your request to me at artstevo@gmail.com or leave a comment.

Watercolours for Beginners Workshops

  Greece Summer 2017

with

English Landscape Artist

Martin Stephenson

Artist Martin Stephenson

in association with

1oceanlogo_2015

It gives me great pleasure to announce the confirmed dates for my workshops

for Summer 2017 in beautiful Vassiliki, Lefkada, Greece

Week Commencing 4th June

Week Commencing 10th September

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Based in beautiful Vassiliki your painting holiday is in one one the most beautiful areas in Greece,

in fact most of the photographs used by the tourism board in Greece

are taken on this jewel of the Ionian Sea, Lefkada


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Some happy students with their paintings in Vassiliki

Vassiliki is known as one of the best watersports centres in the World so there is lots to do

for Artists and their none painting partners.

  • WINDSURFING
  • SAILING
  • STAND UP PADDLEBOARDING
  • SEA KAYAKS
  • WALKING
  • MOUNTAIN BIKING
  • YOGA
  • FITNESS
  • MASSAGES

You can see the full programme on the Ocean Elements website here

CLICK HERE TO GO TO THE WEBSITE

Ocean Elements is Vassiliki’s premier watersports centre

with many years experience in the Hospitality Industry


YOUR ACCOMODATION

Is Bed and Breakfast, staying  in the Surf Hotel, right next to the beach.

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To read about your Hotel please see what the clients on Trip Advisor say

CLICK TO SEE YOUR HOTEL


ABOUT YOUR TUTOR

English born Martin Stephenson is a self taught landscape artist,

teacher and author of the e-book ‘Watercolours for Beginners’.

Copy of Final E-Book Cover Design

FREE COPY WITH EVERY BOOKING

He has been teaching Watercolours for many years, running art holidays and art clubs, in his adopted home in Bulgaria, and also at spa resorts throughout Asia. Martin is no stranger to Vassiliki either, and 2017 will be the 3rd year he has taught on Lefkada, finding inspiration in the beautiful and grand natural Land and Seascapes. As well as watercolours, he is also proficient in other mediums, including Pastels, Pen and Ink and Mixed Media.

Martin has had solo exhibitions including ‘East Meets West’ and ‘An Englishman Abroad’. His work is in Private Collections throughout the World, and he also has a dedicated youtube channel for his much sought after Tutorials on Watercolour Painting.

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TO WATCH MARTIN’S TUTORIALS PLEASE CLICK THIS LINK

His simple approach to his first love Watercolour Painting, and stripping the mystique from the subject means his students learn to paint very quickly. In addition his patient nature, comprehensive knowledge and enthusiasm is infectious. His dry Northern humour is also a factor in his teaching style, ensuring that students not only learn fast, but also have great fun in the process.

As well as this blog Martin also has a dedicated Painting Holidays in Greece facebook page, to see it click below

GO TO THE FACEBOOK PAGE

 

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WHAT WILL I LEARN ON MY PAINTING HOLIDAY WITH MARTIN ?

Martin’s Painting Holidays are aimed at Complete Beginners and Watercolour Improvers.

Your 6 painting sessions are scheduled in the mornings, are arranged so you won’t miss out on all the other exciting activities in Vassiliki. The lessons will be held between 10am (after breakfast) and are 3 hours in duration.

Your studio for the week is located outside, but under cover with beautiful views over Vassiliki Bay.

There is provision to paint indoors if on the rare occasion, there is bad weather.

Your lessons start with the basics of watercolour painting and include ;-

  • WHAT YOU DO AND DON’T NEED TO KNOW
  • THE MYTHS ABOUT WATERCOLOUR PAINTING
  • MATERIALS THEIR CARE AND USE
  • LOOKING AND REALLY SEEING
  • ANALYSING A SCENE
  • COMPOSITION AND LINING UP ISSUES
  • WHAT MAKES A GOOD PAINTING
  • WHY YOU DON’T NEED TO BE ABLE TO DRAW
  • PAINTING USING JUST ONE COLOUR
  • HOW TO ACHIEVE DISTANCE IN YOUR PAINTINGS
  • HOW TO MIX COLOURS
  • PUTTING IT ALL TOGETHER
  • PRESENTATION OF YOUR PAINTINGS
  • HOW TO SELL YOUR PAINTINGS

WHAT DO I NEED TO BRING ON MY PAINTING HOLIDAY

All artist quality materials are provided including :-

  • Rowney synthetic Brushes
  • 300gsm Bockingford Rough Watercolour paper
  • Boards and tape
  • Full Range of 48 Tintoretto artist quality tubes of paint
  • Graphite pencils
  • Putty Rubbers
  • Palettes and dishes
  • Lightweight Easels if required (though most lessons will be conducted sitting down)
  • Specialist items, like masking fluid, ink etc

But you can bring your own favourite brushes and materials if you would prefer.

Basic kits will be available during your stay for a small additional charge.

Spaces are strictly limited to 12 for each workshop, to keep it informal and friendly,

so it’s advisable to book your place early.

THE PRICE IS 819 GBP

This includes flights from Gatwick or Manchester, transfers, and bed and breakfast at the Surf Hotel. It also includes access to all the watersports activities, and six days watercolour tuition (and includes all artists quality materials). Your holiday package can be tailored to suit your requirements, so if you are coming from another Country, or maybe don’t want the watersports included, simply let me know.

artstevo@gmail.com

or contact Ocean Elements

TO BOOK OR ENQUIRE

SEE YOU IN VASSILIKI IN SUMMER 2017

If you would like to read what my past students think about their painting experience with me you can read about it on the trip advisor link above or read my blog below

WHAT MY PAST STUDENTS SAY

 

How to paint a stormy sky in watercolour

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Here is my method of painting a stormy sky.

Let me say at the outset that this method is not for the faint hearted, but it is great fun and totally unpredictable, so here goes.

The sky will be painted wet into wet, that is wet paint onto wet paper. The colour I have used is Tintoretto Caput Mortem, but you can use any really dark blue. In the past I have used Indigo, or Paynes Grey or Ultramarine Blue mixed with Light Red Oxide. I have also seen great results by an Australian artist called John Lovett, who uses Indigo, then pours white gouache onto the paper, with great effect.

Because it’s painted wet on wet, the wet paper will dilute the colour, so you can compensate for that by mixing your colour stronger. Watercolour paints dry lighter anyway so don’t be afraid of the dark side Luke…..

HOW DO I DO IT ?

First prepare your paint, I use a dish. Make sure that you mix more than you need because this sky will take just a couple of minutes, and the last thing you need is to be mixing more colour during this adrenalin rush. You simply won’t have the time. This is why I use dishes, so mix the paint the consistency of gold top milk.

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You can check the tone by dragging the mixed paint up the side of the dish it should hold together underneath the brush, or you can check it on a test strip of the paper you are using. Mine is 300gsm (140lb) Bockingford Rough.

Now wash your brush out and start to paint the sky area with the water. Don’t worry if the water is slightly tinted, as  it helps you see where you have been. Working against the light also helps as I do.  I’m left handed so I work right to left, so if you are right handed start on the left. Work quickly but gently using brush strokes with a large round or mop brush diagonally at about 45 degrees. Choose the biggest brush you can handle, speed is the key on this type of sky.

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At the top of the sky leave a few dry areas, but have fewer (or none) lower down. These spaces will be for the shafts of light coming through the clouds when you start to paint. Aim for a sheen on the paper, no uncontrollable puddles or they will end up causing back runs.

Now very bravely and confidently repeat the same brush strokes with your dark blue paint. Make sure that you have wiped your brush on an old towel or tissue. If you don’t the excess water in the brush both weakens the paint and can also cause cauliflowers.

Work really fast and try and get the paint on the paper quickly. I find that particularly with beginners that they are afraid and want to consider every single brush stroke. Frankly working quickly is more important than getting it right. Just whack the paint on as fast as you can !

THIS IS THE IMPORTANT BIT

Hold your board almost vertically and at an angle AND KEEP IT AT ONE ANGLE.

This suggests rain (and also lightning by the way), and rain comes down usually in one direction. Put some paper towel  on your table to mop up the drips. The strongest colour will be at the top of the painting, and the dry patches we left with the water now start to look like shafts of light between the storm clouds.

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You can use a water sprayer as you move towards the bottom of the painting, but keep the board at the same angle throughout.

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This is how the stormy sky is developing, all those ‘happy accidents’ appearing before your very eyes !

Once you have reached the bottom of the painting, sitting your board flat will stop the movement. Now dry the painting with your hairdryer on slow speed, ensuring that the tape stays stuck or it will ‘cockle’ making your framers job almost impossible.

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You can see the shaft of light coming from between the clouds in close up now. As you can see, this colour granulates, as will Ultramarine Blue. I love this about both this colour and the rough texture of the paper I use.

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All that’s needed is a simple silhouette towards the bottom of the painting, leaving some highlights where the shaft of sun is catching the right hand side of the lighthouse, and hey presto, you have a stormy painting.

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I hope you found that helpful.

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